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8 January 1836 – 25 June 1912. Most renowned painters.

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Pietro da Cortona
Allegory of Divine Providence and Barberini Power

ID: 94841

Pietro da Cortona Allegory of Divine Providence and Barberini Power
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Pietro da Cortona Allegory of Divine Providence and Barberini Power


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Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.   Related Paintings of Pietro da Cortona :. | Landing of the Trojans at the Mouth of Tiberis | Romulus and Remus Brought Back by Faustulus (mk05) | St.Martina Refusing to Worship Idols | The Nativity and the Adoration of the Shepherds | Holy Family Resting on thte Flight to Egypt (mk08) |
Related Artists:
BEERT, Osias
Flemish Baroque Era Painter, ca.1580-1624 Flemish painter. In 1596 he went to study with Andries van Baseroo and in 1602 became a master in the Antwerp Guild of St Luke; these two dates suggest his probable date of birth. Beert married Marguerite Ykens on 8 January 1606. Contemporary documents describe him as a cork merchant. The esteem enjoyed by Beert is indicated by the large number of pupils he had, including, in 1610, Frans van der Borch; in 1615, Frans Ykens; in 1616, Paulus Pontius; and, in 1618, Jan Willemssen. Beert's son, Osias Beert the younger (1622-78), was also a painter and became a master in 1645.
Henry Hawkins
British, died 1881 was an English judge. Born at Hitchin, he was the son of a solicitor, and was early familiarized with legal principles. He received his education at Bedford school, and was called to the bar at the Middle Temple in 1843. He at once joined the old home circuit, and after enjoying a lucrative practice as a junior, became a barrister in 1859. His name is identified with many of the famous trials of the reign of Queen Victoria. He was engaged in the Simon Bernard case (of the Orsini plot celebrity), in that of Roupell v. Waite, and in the Overend-Gurney prosecutions. The two cause celbres, however, in which Hawkins attained his highest legal distinction were the Tichborne trials and the great will case of Sugden v. Lord St. Leonards. In both of these he won.
Floris Verster
1861-1927 Dutch Floris Verster Gallery Dutch painter. He trained first at the Ars Aemula Naturae school in Leiden under George Hendrik Breitner, then at The Hague Academie (1879-82) and the Brussels Academie (1882). In Leiden in 1882 he started painting landscapes in the style of the Hague school. From 1882 to 1892 he shared a studio in Leiden with the still-life painter Menso Kamerlingh Onnes (1860-1925), who was to become his brother-in-law. Influenced by Onnes and such French realists as Antoine Vollon and Theodule Ribot, in 1885 he turned to painting still-lifes in a mildly Impressionist style that by 1888-9 often attained monumental formats, as in Peonies (1.35*2.00 m, 1889; Amsterdam, Stedel. Mus.). He submitted some of these to exhibitions, where their reception was mixed; artists including Breitner, H. W. Mesdag and Jacob Maris were enthusiastic, but the critics quite often were not. He participated in a few exhibitions abroad, notably from 1890 to 1894 in Munich and in 1891 with Les XX in Brussels.






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